Creative technologist. 17 months at BMW Group in Munich and Silicon Valley, turning ideas into working prototypes. Open to full-time roles starting November 2026.
Four projects, each taken from research to a working prototype.
Planning a trade-show stand in mixed reality before it was built.
The principle, seen from above: the display is reflected in the glass, so its image floats behind it. Move the visitor to find where the reflection holds. Drawn for this site, no BMW material.
A map of music you can play.
Jazz 58% · Soul 42%, in the borderland of Jazz and Soul.
Drag the map under the needle. In the app, an AI model plays that blend live.
A learning companion and a furniture system for self-directed learning.
A compact instrument you pick up and play.
1 / 5 Playing keys
Renderings of the instrument. Drag to turn it, or use the arrow keys.
Smaller projects, each built around one question.
A MIDI controller you play by touch. One pad plays a note; a hand across several pads plays a chord.
What could musical input look like if it starts with touch?
Capacitive touch · microcontroller · MIDI
A creative workspace: you develop pieces such as a riff, an image or a layout, collect them, and AI is meant to combine them into one piece.
How do you work with generative AI when you know the parts of an idea, but not yet the result?
Interface concept · screens and mockups, no working AI
An illustrated jump-and-run in the browser: hold the space bar to gain speed, let go to jump.
Can a single button give enough room for speed, timing and jumps?
Matter.js · illustration
Project work with Lili Maier, Vivienne Bertz and Yana Streit
None of this starts finished. It is sketched, built, tested and rebuilt.
A one-minute moving-image piece with its own soundtrack, made in a small group during my exchange semester. It follows a student through Building 3 at UTS during assessment week: from a creative slump at the desk, out into the building for inspiration, and back to a submission that arrives too late.
Warm light and close shots are inspired by Whiplash (2014), split screens and slicing by Daniel Cook’s Static No. 12 (2010). A jazz-style track mixed with pen clicks and typing follows the rise and fall of the stress.
SketchesSenzuA sheet of marker sketches exploring shapes and controls
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In the handSenzuTwo hands holding a white printed model of Senzu
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Hero shotSenzuA person in a dark room forming a heart with their hands in front of a round light
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PaintSenzuA part being spray-painted in a paint booth
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Form variantsSenzuGrid of rendered form variants with different housings and colour accents
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ExhibitionorcaThe orca stand at an exhibition: a table with a monitor and a tablet showing the app, a tall poster about the project, and three people standing beside it
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WorkbenchSenzuA white model of Senzu on a workbench among glue, pliers and offcuts
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ModelsSenzuFoam, paper and printed models lined up on a grey backdrop
Read the case studyInteraction designer who builds. I prototype the moment where people and intelligent systems meet, in code, on devices and in space.